When Raven Became Spider


  • OAG Annex inside Ottawa City Hall 110 Laurier Avenue West Ottawa, ON, K1P 1J1 Canada
Joi T. Arcand, The Beautiful NDN SuperMaidens TM Trading Cards; Neckbone Wonderwoman (detail), mixed media, 2016, courtesy of the artist.

Joi T. Arcand, The Beautiful NDN SuperMaidens TM Trading Cards; Neckbone Wonderwoman (detail), mixed media, 2016, courtesy of the artist.

Artists: Joi T. Arcand, Sonny Assu, Julianne Beaudin-Herney, Shaun Beyale, Elle-Máijá Tailfeathers, and Jeffrey Veregge  

Curator: Leena Minifie    
Organized by:  Dunlop Art Gallery, Regina Public Library

On view: Jan 20 - Feb 26, 2017
Where:  OAG Annex, City Hall, 110 Laurier Avenue West, Ottawa, ON, K1P 1J1
When: Open daily 9 AM to 8 PM

Free admission.  Wheelchair accessible. Parking available.
For more information: 613-233-8699 x234, info@ottawaartgallery.ca

Hashtags: #whenravenbecamespider #WRBS #OAGOutThere  #OAGAnnex

Taking its title from a Sonny Assu button blanket depicting Spiderman in a traditional Kwakwa̱ka̱’wakw style, When Raven Became Spider is guest curated by Vancouver-based Gitxaala/British, curator, artist and writer Leena Minifie. Minifie’s research examines supernatural characters in Indigenous art and modern comic superheroes. She notes that traditional stories often highlight figures with superheroic traits, but that these figures maintain complexity as they are fallible, and capable of making mistakes. Most pop comic icons lean towards the archetypal, exhibiting simplified ways of being; they are good or evil. This generation of Indigenous artists and storytellers are increasingly depicting modern super-beings and using pop icon images within their work, blurring the line between oral stories and modern comics. Their aesthetics, style, and composition flow between both worlds.   

Does the use of these modern-day images generate a space for oral narratives related to super beings? Or does it reduce these characters into one-dimensional archetypes? Does this work make stories more accessible and palatable to audiences and listeners, who may not be familiar with storytelling traditions? Do modernized forms sacrifice a certain degree of the three-dimensionality and nuance of the characters they depict? Can these characters still transmit old-world, oratory tales and teach us something about the frail human condition, as they were intended?  

When Raven Became Spider grapples with such questions.

 

March 10
ART IS ART